Friday, July 16, 2010

SHONEN SARUTOBI SASUKE

Toei Doga’s 1959 theatrical film SHONEN SARUTOBI SASUKE 少年猿飛佐助 (SASUKE, THE YOUNG SARUTOBI)(MAGIC BOY), was the company’s second animated feature, and the first to be released in the United States. This also marked Toei Doga’s first cinemascope anime venture as well.
A young boy Sasuke and his sister, Oyuu, live in the beautiful mountains of Shinano. The two are friends with all of the mountain animals, which included deers, bears, squirrels, and Japanese macaque monkeys. One day a giant eagle appears and takes a away a deer fawn. Sasuke and the fawn’s mother pursue the feathered beast to a mysterious dark lake. The fawn is dropped into the murky body of water where a monstrous salamander-like creature is lurking. During the attempted rescue the fawn is brought to safety but it’s mother is devoured. The salamander soon reveals itself to actually be an evil demon princess, Yasha Hime (Devil Woman). Easily beaten in a small skirmish against the witch, Sasuke needed to rethink the situation. Soon the story turns a little “Karate Kid” when Sasuke meets an old ninjutsu master, Tozawa Hakuunsai who teaches him martial art skills and most of all ninja magic. Meanwhile bandits join Yasha Hime, who go on to burn villages and even kidnap Sasuke’s sister. A young prince whose city was burned down, saves Oyuu so Sasuke can focus on defeating the evil witch. Sasuke and Yasha Hime finally engage in a pretty cool battle, evil witchcraft vs. ninja magic. It doesn’t get better than that.
The animation in this one is very smooth and flowing. This is apparent during scenes where characters are using magic. Fire and energy blasts pour from the characters like water. Again, like most of Toei Doga’s early efforts, pay close attention to the hand painted backgrounds. They highlight Japan’s beautiful countryside and mountainous regions. The visuals are treated like an art house live action film.

Saturday, July 10, 2010

G-FEST IN CHICAGO TODAY

G-Fest was a blast today. My son Christian who is now 8 years old, was a maniac. It's funny how he's not really a Godzilla fan, but his Ultraman and Kamen Rider knowledge would destroy you. Of course we hit the dealers room first. Christian stocked up on some Ultra Monsters he was looking for and some Pokemon Kids candy toys. Myself I got my laser disc of Godzilla vs. the Sea Monster signed by Akira Takarada and picked up some Kamen Rider and Ultra stuff as well. My friend Ken Gage assisted Oriental Cinema's Damon Foster in a hilarious panel covering oddities of tokusatsu films ripped off by other asian countries. It was a nice low key con topped off with a huge Giordano's Italian Beef for lunch.

Friday, July 2, 2010

UCHUJIN TOKYO NI ARAWARU: WARNING FROM SPACE

Daiei’s 1956 feature UCHUJIN TOKYO NI ARAWARU 宇宙人東京に現わる(SPACEMEN APPEAR IN TOKYO)(WARNING FROM SPACE, MYSTERIOUS SATTLELITE) was Japan’s first full color sci-fi film. The star shaped aliens known as the Paira or Pairan, seen in the film were designed by artist, Taro Okamoto. Okamoto’s most famous design, “Tower in the Sun” was the center piece of Expo 70’. 
When a runaway planet “Planet R” is on a collision course with Earth, friendly aliens come to warn us before it’s to late. The one eyed, star fish, aliens, the “Paira”, are too frightening looking and freak people out when they are seen. One of the aliens takes the form of a famous singer/dancer so they can finally present us with the message of the impending doom that faces our planet. Apparently terrorist kidnap the scientist that designed a super weapon that could actually stop Planet R. It’s the Paira to the rescue!!! They save the scientist just in the nick of time and Planet R is destroyed.
UCHUJIN TOKYO NI ARAWARU is science fiction in it’s purest form. The visuals and cinematography is top notch, highlighting the beauty of Japan. For me even watching the grainy public domain version is enough to satisfy my taste for GOOD Japanese fantasy cinema with a thought provoking story.